![]() The story kicks off with a gutsy move to pick up after T2 and in the first few minutes of the picture dispatch a main character-no tricks, no do-overs. Junkie XL’s score is not quite up to the task of elevating the proceedings he plugs in Brad Fiedel’s classic theme at obvious moments, and underlines dramatic tension or emotion in other unsubtle ways. The dialog, though sparse, is repetitive and somewhat clumsy. Julian Clarke’s editing is slick and maximizes dramatic import. Action sequences are well-staged and visually coherent, with plenty of orienting wide shots and a strong sense of pacing. ![]() The performances by Hamilton and Schwarzenegger are excellent, and franchise newcomers MacKenzie Davis (Grace), Natalia Reyes (Dani) and Gabriel Luna (REV-9) all turn in strong work. This story thankfully avoids the convolutions of other Terminator sequels (which it simply relocates to alternate timelines) and it is, on every level, easy to look at. Like Sarah Connor’s résumé, the filmmakers’ is a long and storied one, but its glories are past and its future uncertain.įirst, the right moves. The screenplay itself is by Goyer (who, since 2010, has written films like Ghost Rider: Spirit of Vengeance, Man of Steel and Batman V Superman: Dawn of Justice), Rhodes, and Ray (who has written some interesting screenplays, but was most recently involved in Gemini Man). ![]() That all sounds promising, right? The story is credited to James Cameron, Charles H. The cast includes Linda Hamilton, reprising her role as Sarah Connor, and Arnold Schwarzenegger as a T-800 model. ![]() Terminator: Dark Fate is directed by Tim Miller and produced by James Cameron. ![]()
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |